FIXER MAGAZINE
/ A chemical substance used for fixing a photographic image /
/ A person who makes arrangements for other people, specially of an illicit or devious kind /
/ A new space to talk, share and store our devotion to the image /
ROBERT HÉBRAS WAS HERE. A PHOTO BY ROBERTO MATA, 2017
PHOTO CONFESSIONAL: Carey Neal
My heart isn’t prepared for that. And if someone asked me to wander a city and attempt street photography, I’m fairly certain I’d break out in hives.
212: Something is happening everywhere
For me, it’s an alternative way to learn something.
Editor’s Desk
These days, editing is probably the most confusing word among photographers. For some, it means developing and doing post-production; for others, it means selecting images, grounding them, and shaping a coherent story. Here I share my process selecting a portrait for “Fotógrafo a Domicilio”.
305: Rashad Heagle
No matter how much I looked at them, I could trust that they would evoke the same feeling in me or even offer a new perspective on a distant memory. Today, life keeps me motivated to pick up the camera.
MOVIE GUIDE: BONO STORIES OF SURRENDER (2025)
“… I was born with an eccentric heart…”
PHOTO CONFESSIONAL: Cig Harvey
Intuitively making work. I have to go out into the world and just photograph. Everything else will come.
PHOTO CONFESSIONAL: Scott McIntyre
I’d say that letting go of any preconceived notions of what kind of photographer that I SHOULD be and let myself be the photographer I want to be.
305: Lilly Grella
I trust my instincts, simply because I have ZERO patience
305: Alejandro Cupi
They opened up the world to me. It made me realize the power of a single image to transport, inform, and move.
305: Vanessa Abramowitz
Instinct. I like to respond to the rhythm of the street.
PHOTO CONFESSIONAL: Ernesto Costante
Feeling motivated by an event that captivates my attention. If I feel that it hits me, that it moves me, that it paralyzes my heart and raises questions, I start working.
MOVIE GUIDE: THE KNICK (2014)
“…We are a Hospital. We need Cocaine to exist…”
PHOTO CONFESSIONAL: Alexandra Surkova
#WildWithSoul
I deeply want my photos to capture not just the wild, but the soul within it. Something raw, emotional, and real.
PHOTO CONFESSIONAL: Julio Estrada
The most crucial decision in my career development was migration.
PHOTO CONFESSIONAL: Adriana Loureiro
I am interested in how our brains work in relation to images and the construction of memory and creativity, for example.
MOVIE GUIDE: THE LAST SHOWGIRL (2024)
“… I have no regrets, none…”
212: I keep it simple.
I KEEP IT SIMPLE.
PHOTO CONFESSIONAL: Lucia Lamata
It’s really important. I love improvising and going with the flow, but when I step into a world that’s not my own, I feel the need to understand it better. It helps me approach everything with respect.
PHOTO CONFESSIONAL: Brais Lorenzo
I guess committing seriously to the path of photojournalism. It’s not an easy road.
MOVIE GUIDE: THE ROOM NEXT DOOR (2024)
“…We must never return to the places where we were truly happy because we ruin the good memories of the first time…”